Kevin Fort has established himself as one of the most in demand pianists on the Chicago jazz scene. Known for his warm touch and virtuosic yet lyrical improvisations, Kevin is a champion of the straight-ahead jazz tradition while embracing modern influences. He has performed and/or recorded with artists such as Bob Brookmeyer, John Clayton, James Moody, Ira Sullivan, Slide Hampton, Phil Woods, Steve Turre, Bill Watrous, Louie Bellson, Harry Allen, George Fludas, Andy Brown, and Makaya McCraven.

Kevin was inspired to pursue a career in jazz by his father’s love of alto saxophone. Eavesdropping on jam sessions at the house and regularly listening to his dad’s classic jazz record collection helped to refine Kevin’s ear and develop his appreciation for the music.

After high school, Kevin enrolled at the DePaul University School of Music, where he graduated with highest honors, earning both his BA and MM in Jazz Studies. While there, he studied piano with Chicago jazz legend Larry Novak.

Kevin has recorded three albums as a leader. Red Gold (2014) and Perspectives (2022) proved popular with a global audience, garnering over two million streams across streaming services. All About Jazz described Kevin as “one of the young lions of the piano deserving of attention.” Chicago Jazz Magazine said that he displays “thrilling virtuosity and agile, vibrant improvisations.”

Kevin’s latest album, Twilight, releases on October 5, 2023. Accompanied by bandmates Joe Policastro and Jon Deitemyer, the group pays homage to the classic piano trio albums of the past while incorporating Kevin’s unique take on the art form.

Currently, Kevin serves as a faculty member at the Northwestern University Bienen School of Music, where he imparts his passion for jazz to the next generation of emerging artists.

Kevin Fort is a Yamaha Artist.

Donald Neale brings an unusual variety of musical influences into his solo and group performing. He has performed with many of the top latin jazz bands in the Chicago area including the Frontline Latin Jazz Ensemble, Conjunto, Sueños, Crosswind and many others. His solo piano repertoire focuses on Latin American classical music, especially the music of Villa-Lobos, Ernesto Nazareth, Astor Piazzolla, Manuel Ponce and other lesser known composers from Columbia and the Caribbean. He has made an extensive study of seminal Cuban composer Ernesto Lecuona, recording a compact disc of Lecuona’s piano music entitled “Pieces of Night”. In addition his other main focus has been on early jazz piano literature, particularly the music of Fats Waller, Jelly Roll Morton, James P. Johnson and Pete Johnson, combined with a growing body of advanced original piano arrangements of songs by The Beatles, Stevie Wonder, Radiohead and many others. 

 
He has been a staple of Chicago’s society orchestra scene for 25 years now, but has also worked extensively in Chicago’s world music, jazz, blues and gospel worlds. He worked for many years as music director for the Wellspring Christian Center on Chicago’s south side and was nominated for song of the year by the Black Theater Alliance for his gospel song “Weep No More”. He also worked for fifteen years as music and choir director at the Third Unitarian Church of Chicago. 

 
He is currently on the faculty of Columbia College Chicago where he teaches contemporary piano and keyboards. 

Those of you who already know Matt Martino from his days in Music City are familiar with his catchy, blue-eyed soul playing style and engaging personality. For those of you who are just discovering Mr. Martino, you’ve found him at the right time. After cutting his teeth in Nashville amongst some of the best musicians in the country, Matt is now moving forward as a solo artist who can grab the attention of any crowd in any room and not let go.

Mike DeHays is Imphormal, playing electric cello covers of pop and classic rock hits and more.